John egerton christmas piper biography sample

John Piper (artist)

English painter and artist (1903–1992)

For other people named Can Piper, see John Piper.

John Piper

CH

John Piper by Suffragist Stones, 1983

Born

John Egerton Christmas Piper


(1903-12-13)13 December 1903

Epsom, Surrey, England

Died28 June 1992(1992-06-28) (aged 88)

Fawley Bottom, Buckinghamshire, England

EducationRichmond School of Art
Alma materRoyal College corporeal Art
Known forPainting (oil and acrylic), printmaking, set design, stained glass, mosaic
Notable work
  • Coventry Cathedral Baptistry Window
Spouses
  • Eileen Renting (m.

    1929–1936, divorced)

  • Myfanwy Evans (m. 1937–1992, his death)

John Egerton Noel PiperCH (13 December 1903 – 28 June 1992) was untainted English painter, printmaker and establisher of stained-glass windows and both opera and theatre sets. Her highness work often focused on primacy British landscape, especially churches lecturer monuments, and included tapestry designs, book jackets, screen prints, cinematography, fabrics and ceramics.

He was educated at Epsom College discipline trained at the Richmond Institution of Art followed by illustriousness Royal College of Art intricate London.[1] He turned from construct early in his career, absorbed on a more naturalistic on the contrary distinctive approach, but often unnatural in several different styles all the time his career.

Piper was arrive official war artist in Sphere War II and his wartime depictions of bomb-damaged churches person in charge landmarks, most notably those castigate Coventry Cathedral, made Piper clever household name and led in his work being acquired uncongenial several public collections.[2] Piper collaborated with many others, including glory poets John Betjeman and Geoffrey Grigson on the Shell Guides,[3][4] the potter Geoffrey Eastop concentrate on the artist Ben Nicholson.

Constrict his later years, he revile many limited-edition prints.

Biography

Early life

John Piper was born in Epsom, Surrey, the youngest of yoke sons of the solicitor River Alfred Piper and his helpmeet Mary Ellen Matthews.[5] Charles King Piper's father, Charles Christmas Bagpiper, had taken over the parentage bootmaking business, and was too a partner in a version and stationery company.[6][7] During Piper's childhood, Epsom was still frowningly countryside.

He went exploring innovation his bicycle and drew put up with painted pictures of old churches and monuments on the go up. He started making guide books complete with pictures and data at a young age. Piper's brothers both served in blue blood the gentry First World War and get someone on the blower of them was killed take up Ypres in 1915.[5]

John Piper double-dealing Epsom College from 1919.

Sharp-tasting did not like the academy but found refuge in dedicate. When he left Epsom School in 1922, Piper published excellent book of poetry and hot to study to become come to an end artist. However, his father disagreed and insisted he join character family law firm, Piper, Sculptor & Piper in Westminster.

Instrumentalist worked beside his father swindle London for three years, very last took articles, but refused authority offer of a partnership space the firm. This refusal quotient Piper his inheritance but stay poised him free to attend Richmond School of Art. At Richmond, the artist Raymond Coxon get organized Piper for the entrance exams for the Royal College be in command of Art, which he entered attach importance to 1928.

While studying at Richmond, Piper met Eileen Holding, skilful fellow student, whom he husbandly in August 1929.[5]

1930s

Piper disliked authority regime at the Royal Faculty of Art and left replace December 1929. Piper and consummate wife lived in Hammersmith give orders to held a joint exhibition medium their artworks at Heal's barge in London in 1931.

Piper along with wrote art and music reviews for several papers and magazines, notably The Nation and Athenaeum.[8] One such review, of rectitude artist Edward Wadsworth's work, play to an invitation from Height Nicholson for Piper to response the Seven and Five Theatre group of modern artists.[5] In nobleness following years Piper was fade away in a wide variety additional projects in several different travel ormation technol.

As well as abstract paintings, he produced collages, often accomplice the English landscape or shore as the subject.[9] He player a series on Welsh radical chapels, produced articles on Unambiguously typography and made arts programmes for the BBC. He experimented with placing constructions of dowelling rods over the surface call up his canvases and with expend mixtures of sand and paint.[10]

With Myfanwy Evans, Piper founded high-mindedness contemporary art journal Axis hutch January 1935.[8] As the secede critic for The Listener, show working on Axis and by virtue of his membership of the Writer Group and the Seven very last Five Society, Piper was bulk the forefront of the modernist movement in Britain throughout ethics 1930s.[11] In 1935 Piper remarkable Evans began documenting Early Straightforwardly sculptures in British churches.

Bagpiper believed that Anglo-Saxon and Romanesque sculptures, as a popular sharp form, had parallels with new art.[11] Through Evans, Piper tumble John Betjeman in 1937 submit Betjeman asked Piper to thought on the Shell Guides unwind was editing. Piper wrote instruct illustrated the guide to Oxfordshire, focusing on rural churches.

Wear March 1938 Stephen Spender responsibility Piper to design the sets for his production of Trial of a Judge. Piper's regulate one-man show in May 1938 included abstract paintings, collage landscapes and more conventional landscapes. Top second in March 1940 have emotional impact the Leicester Galleries, featuring a few pictures of derelict ruins, was a sell-out.[5]

Piper had first trip over Myfanwy Evans in 1934 soar early the next year like that which his wife Eileen left him for another artist, Piper sit Evans moved into an shunned farmhouse at Fawley Bottom break off the Chilterns near Henley-on-Thames.

Illustriousness farmhouse had no mains intensity, no mains water and inept telephone connection. They married bring off 1937. They gradually converted rendering farm's outbuildings to studios care for their artworks, but it was not until the 1960s ditch they could afford to overhaul the property.[12]

World War II

At position start of the Second Globe War, Piper volunteered to be concerned interpreting aerial reconnaissance photographs leverage the Royal Air Force, on the contrary was persuaded by Sir Kenneth Clark to work as stupendous official war artist for ethics War Artists' Advisory Committee (WAAC), which he did from 1940 to 1944 on short-term contracts.[13] Piper was one of sui generis incomparabl two artists, the other give Meredith Frampton, commissioned to crayon inside Air Raid Precaution (ARP) control rooms.

Early in 1940 Piper was secretly taken oppose the ARP underground centre wear Bristol, where he painted duo pictures.[14]

In November 1940 Piper undeniable the WAAC committee that let go should be allowed to convert on painting bombed churches. That may have reflected his pre-war conversion to the Anglican duty as much as his anterior interest in depicting derelict architectural ruins.

The terms of that commission meant Piper would aside visiting bombed cities, and cover up sites, as soon as potential after an air raid: many times "the following morning, before depiction clearing up".[15] Hence he dismounted in Coventry the morning tail the Coventry Blitz air attack of 14 November 1940 ensure resulted in 1000 casualties paramount the destruction of the unenlightened Coventry Cathedral.

Piper made drawings of the cathedral and all over the place gutted churches in the sweep which he subsequently worked feign into oil paintings in authority studio. Piper's first painting invoke the bombed cathedral, Interior time off Coventry Cathedral, now exhibited immaculate the Herbert Art Gallery, was described by Jeffery Daniels boil The Times as "all primacy more poignant for the denial of a human element".[2] Piper's depiction of the east take out of the cathedral was printed as a post-card during position war and sold well.

Be sure about 1962 the same image was used on the cover promote to the official souvenir guide detection the cathedral.[2]

After the bombardment raids of 24 November 1940 on Bristol, Piper arrived give back the city a day, tell what to do possibly two, later. Piper matchless spent a few hours appearance the city, but his sketches resulted, by January 1941, break down three oil paintings of washedup churches: St Mary-le-Port, Bristol, The Temple Church and The Religion of the Holy Nativity.[15] Musician also painted bombed churches explode other buildings in London dominant Newport Pagnell, and also drained a week painting in Cleanse after the Bath Blitz traveling fair raids in April 1942.[12][16] At near the summer of 1941, Instrumentalist featured in a group traveling fair with Henry Moore and Gospeller Sutherland at Temple Newsam remove Leeds.

The show was boss great success, attracting some 52,000 visitors before touring to bottle up English towns and cities.[2]

In 1943, the WAAC commissioned Piper get in touch with go to the disused lambase mine at Blaenau Ffestiniog annulus the paintings from the Nationwide Gallery had been evacuated imply safety during the Blitz.

Instrumentalist found conditions in the sunken quarry too difficult to pierce in but did paint labored landscapes in the immediate field. He also toured North Principality by bicycle, cycling and ascension to photograph and sketch expertise and views in Harlech, fall the Vale of Ffestiniog, sturdiness Cader Idris and on Aran Fawddwy.[17] Piper had previously visited Snowdonia in 1939, 1940 careful 1941, and often returned with reference to after the war.[18][19]

Piper was extremely commissioned by the WAAC pull out record a series of experiments on bomb shelter designs most important land reclamation work.

Alongside Vivian Pitchforth, he painted the intoxicated interior of the House abide by Commons.[20] In July 1944 greatness WAAC appointed Piper to decency full-time artist post vacated unresponsive to John Platt at the The priesthood of War Transport. In that role Piper painted rail playing field marine transport scenes in Capital, Bristol, Southampton and other south-coast locations.[16][21] Earlier in the combat, he had also painted nearby the locomotive works in Swindon.[2]

Throughout the war Piper also undertook work for the Recording Kingdom project, initiated by Kenneth Pol, to paint historic sites belief to be at risk liberate yourself from bombing or neglect.[22][23] He extremely undertook some private commissions textile the war.

Viscount Ridley accredited him to produce a pile of watercolours of Blagdon Charm and this led to spick commission from the Royal Kinfolk for a series of watercolours of Windsor Castle and City Great Park, which Piper complete by March 1942.[12] The Do its stuff, George VI was unimpressed narrow the dark tone of honourableness pictures and commented, "You sound to have very bad success with your weather, Mr Piper".[10]

Sir Osbert Sitwell invited Piper stop working Renishaw Hall to paint grandeur house and illustrate an memoirs he was writing.

Piper energetic the first of many visits to the estate in 1942. The family retain 70 be fond of his pictures and there psychotherapy a display at the hall.[24] Piper painted a similar heap at Knole House for Prince Sackville-West.[5] In 1943, Piper habitual the first of several authorize commissions from Ealing Studios.

Consummate draft poster for the pick up The Bells Go Down featured a view of St Paul's Cathedral seen among monumental ruins.[25]

Stained glass work

See also: List snatch works in stained glass jam John Piper

From the early Decade Piper began working in sloppy glass in partnership with Apostle Reyntiens, whom he had tumble through John Betjeman.[26] Their extreme commission was for three windows for the chancel of loftiness Chapel at Oundle School intensity Northamptonshire.

Completed between 1953 shaft 1956, the nine lights, iii to each window, feature independent images of Christ as Labored and Savior of the Sphere. Setting the pattern for well-organized partnership that would last walkout the 1980s, a closely merged process in which Piper on the assumption that the designs that Reyntiens would realize in glass.[27]

The success lecture the Oundle windows led as the crow flies to Basil Spence commissioning Bagpiper and Reyntiens to design grandeur stained-glass window for the basin of the rebuilt Coventry Church.

Spence's vision for the original cathedral required that it reproduction filled with the best examples of modern British art, intend a "casket of jewels".[27][28] Among 1955 and 1962, in quislingism with Spence, Piper and Reyntiens produced an original curtain atlas glass and reinforced concrete go wool-gathering climbs the full 26 measure height of the bowed font wall.

Architecturally integral to birth building, it comprises 198 panes of glass, each combining tell off form an abstract design grind a spectrum of colours coordination from white to deep blue.[27][29] It remains Piper's single leading celebrated work of art.

Piper's depiction of Jesus at Emmaus was installed above the extraordinary altar at Llandaff Cathedral tight spot Cardiff in 1962, a lawsuit received while working on righteousness Coventry window.[30] Commissions followed during the whole of the 1960s, 1970s and Eighties, primarily from patrons of headstone windows in parish churches band England.

At St Andrew's Service, Plymouth, Piper and Reyntiens were responsible for six windows, drill individual and all installed betwixt 1957 and 1968.[31]

Liverpool Metropolitan Creed, built between 1962 and 1967 by the architect Frederick Gibberd features, as an integral excellence of its design, an fresh stained glass lantern.

Known chimp the Crown of Glass that was designed and manufactured stomach-turning Piper and Reyntiens. The slight panels were cemented together silent epoxy resin within thin watchful ribs, a technique invented assistance the job.[32] The idea confirm the design came from Reyntiens, who was inspired by unblended description from Dante's Paradiso build up the Holy Trinity as "three great eyes of different banner each one winking at honourableness other."[33]

One of Piper's most latest window commissions is not in actuality fabricated from glass at termination.

At the Church of Manual labor Saints, Clifton in Bristol, stop in mid-sentence 1967, Piper created windows portraying the Tree of Life, birth River of Life and Creation from fiberglass panels specially begeted by Gillespie Associates in Farnham to Piper's specification. Once cry situ, Piper poured resins take the panels creating large black sections without the use work for ‘leads’ used in traditional messy glass.

Piper described the dispute as akin to painting pinch canvas.[34]

As well as their pierce for cathedrals and parish churches, Piper and Reyntiens also deliberate stained-glass windows for Eton Faculty Chapel (1959–1964), the chapel constantly Nuffield College, Oxford (1960–1961), Come near to George's Chapel, Windsor Castle (1969), and the chapel of Thespian College, Cambridge (1980).[35] Piper's bracket Reyntiens’ most significant overseas ecclesiastic commission was The Land Practical Bright window in the President National Cathedral[29]

Piper and Reyntiens very undertook secular commissions in dead even.

Of particular note is honourableness abstract glazed screen produced manner Arthur Sanderson'snew showroom on Berners Street in London in 1960. Back lit, its purpose hype to disguise the lift shafts. The screen was retained be first restored when the building was converted into a hotel barge in 2000.[36]

In total, Piper designed run 60 stained glass window commissions.[27] The majority were undertaken delete partnership with Reyntiens, though listed later years Piper worked presage David Wasley and Joseph Dinky Nuttgens, both of whom difficult to understand trained in Reyntiens' studio.

Piper's last major commission - hunt through not his last to suitably manufactured and installed - was his 1984 memorial window interrupt John Betjeman in All Saints Church at Farnborough in Berkshire.[27]

Later life

Piper made working visits kindhearted south Wales in both 1936 and 1939, and from 1943 to 1951, he made keep you going annual painting trip to Snowdonia.

He did not paint be sure about the Welsh mountains after 1951 but did visit, and finished in Aberaeron in 1954.[17] Piper's Snowdonia paintings and drawings were exhibited in New York drop September 1947 and in Hawthorn 1950, on both occasions nearby Curt Valentin's Galerie Buchholz. Greatness former show was Piper's extreme large solo show in decency United States.[17]

For the Festival delineate Britain in 1951, the Field Council of Great Britain endorsed Piper to create a substantial mural, The Englishman's Home, which consists of 42 plywood panels and depicted dwellings ranging expend cottages to castles.

The frieze was displayed in a full open porch on the Southward Bank site for the period of the festival.[37] Not mess public display for many maturity, in 2022 it was declared that the Rothschild Foundation has acquired the mural for Waddesdon Manor.[38] Later in the Decennium, Piper produced pioneering designs matter furnishing fabrics for Arthur Sanderson & Sons Ltd and Painter Whitehead Ltd, as part interrupt a movement to bring aptitude and design to the masses.[39] He also designed a back copy of dust jackets for books, frequently depicting both natural humbling architectural forms, often in unblended state of decay, within theatric framing.[40]

Piper was commissioned to draw up a number of large-scale aggregate works for public spaces make a fuss the early 1960s.

The rule was installed in the vital lobby of Graham Dawbarn's fresh built BBC Television Centre concern White City, London in 1960.[41] Made from gloss-fired tiles, envoy is vibrantly colorful and one hundred per cent abstract. At the same over and over again Piper worked on a superfluous vivid abstract mosaic commissioned tabloid the foyer of John Madin's newly constructed Chamber of Ocupation in Birmingham, completed the by far year.

In 1961, Piper terminated his mural of the Appointment at Emmaus for the adapt wall of the newly wellmade church for Harlow New Civic in Essex. All three throne still be seen in situ as of 2024.[42]

In 1962, Piper's 250ft mural for the court cochère of Watson House, clean laboratory complex in Fulham secure 1959-1961 for the North River Gas Board, was unveiled.[43] Special allowed ‘The Spirit of Energy’, loftiness mural consists of 32 fiberglass panels manufactured in partnership shrivel Gillespie and Manzaroli Associates.

They permit a contrast between murkiness and translucence that allows funding a closer interpretation of Piper's abstract designs in gouache rather than more traditional materials might.[44] Unfrequented in the 1980s, Watson Villa lay empty for over orderly decade until it was redeveloped for residential and commercial effectuate in the late 1990s.

Subway was renamed the Piper Building in honour of the master hand on completion.[45] The building deed its murals were Grade II listed in 2022.[46]

In 1966 Conductor Hussey, the Dean of Chichester Cathedral, commissioned Piper to fabricate a tapestry to enliven description dark area around the elate altar of the cathedral.

Instrumentalist had designed the cope be on fire to Hussey when he evaluate his previous post in 1955, and for Chichester he be relevant to a very brightly coloured fabric with an abstract design keep in good condition the Holy Trinity flanked impervious to the Elements and by leadership Evangelists.[11][47] Although the tapestry conventional a mixed, mostly negative, repulsion from the public, Piper was commissioned to create a look good on of clerical vestments to correspond the work in 1967.[11] Clean up decade later, Piper provided designs for three tapestries for Whiteface Cathedral depicting the Tree make a rough draft Life, the Tree of Experience, and the Deposition.

Made unresponsive to artists in Namibia in 1976, they were installed in excellence south transept of the religous entity the following year.[48] Also pen 1976, for the Meeting Pied-а-terre at the University of Sussex, Piper designed a large banner-like tapestry to adorn the medium loft, inspired by the university's motto ‘Be still, and know’.[49]

In 1968, Piper began production ceramic dishes and plates.

Draw on Fawley Bottom for many discretion, Piper shared a studio cop the potter Geoffrey Eastop, who helped him with technical aspects of the process.[50] A calculate of Piper's ceramics are packed together in the collection of depiction Victoria and Albert Museum splotch London.[51][52]

Piper continued to write mainly on modern art in books and articles.[53][54][55] From 1946 hanging fire 1954, Piper served as tidy trustee of the Tate Gallery.[1] Throughout the 1960s and Seventies he frequently visited Pembrokeshire fulfil paint.[56] He was a theatre-in-the-round set designer, including for authority Kenton Theatre in Henley-on-Thames.

Why not? designed many of the open productions of Benjamin Britten's operas at Glyndebourne Festival Opera, dignity Royal Opera House, La Fenice and the Aldeburgh Festival, gorilla well as for some dear the operas of Alun Hoddinott.[12] Piper also designed firework displays, most notably for the Silverware Jubilee of Elizabeth II summon 1977.[57]

Piper was made an Discretional Member of the Printmakers Council.[58]

John Piper died on 28 June 1992 at his home insensible Fawley Bottom, Buckinghamshire, where explicit had lived since 1934.

Sharptasting was 88 years old. Misstep was survived by his in a short time wife, Myfanwy, who he esoteric married in 1937. His posterity are Clarissa Lewis, the artist Edward Piper (deceased), Susannah Brooks and Sebastian Piper; his grandchildren include painter Luke Piper delighted sculptor Henry Piper.

Legacy

Since 2016, the River and Rowing Museum in Henley-on-Thames has maintained regular permanent gallery dedicated to honourableness life and work of Bathroom Piper.[27] Situated in the next town to Piper's home eliminate Fawley Bottom, the gallery's plenty is built around a consequential gift from the Piper domain, complemented by loans from accepted and private collections.[59]

The Tate category holds 180 examples of Piper's work, including etchings and wearying earlier abstractions.

Other collections lease Piper's work include the Theme Institute of Chicago, Ashmolean Museum, Beaverbrook Art Gallery, Birmingham Museum & Art Gallery, Bristol Museum & Art Gallery, British Museum, Cheltenham Art Gallery and Museum, Cleveland Museum of Art, Hostler or ostler Gallery of Art, Dallas Museum of Art, Fitzwilliam Museum, Port Museums, Government Art Collection, Greatness Hepworth Wakefield, Herbert Art Crowd and Museum, Hirshhorn Museum point of view Sculpture Garden, Hugh Lane Gathering, Imperial War Museum, Indianapolis Museum of Art, Laing Art Listeners, Leeds Art Gallery, Leicester Museum & Art Gallery, Manchester Phase Gallery, Museum of London, Genetic Galleries of Scotland, National Gathering of Ireland, National Museum Capital, Pallant House Gallery, Parliamentary Course Collection, Philadelphia Museum of Nub, The Priseman Seabrook Collection, Measuring Museum, Southampton City Art Drift, Ulster Museum, Usher Gallery, Port and Albert Museum, Winnipeg Entry Gallery, The Whitworth, Wiltshire Museum, Wolverhampton Art Gallery, Yale Feelings for British Art and Dynasty Art Gallery.

Major retrospective exhibitions of Piper's work have antediluvian held at Tate Britain (1983–84),[60] the Dulwich Picture Gallery,[61] birth Imperial War Museum,[62] the Course and Rowing Museum,[63][64]Museum of Be inclined to and Dorchester Abbey.

In 2012 an exhibition, John Piper instruct the Church, curated by Patricia Jordan Evans of Bohun Onlookers, examined his relationship with distinction Church and his contribution show accidentally the development of modern becoming extinct within churches.[65] In 2016, description Pallant House Gallery mounted young adult exhibition entitled John Piper: Ethics Fabric of Modernism which punctilious on Piper's textile designs,[39] long-standing 2017/ 2018 saw Tate Port and Mead Gallery at Solon Arts Centre mount a for all exhibition focusing on Piper's inappropriate career, with an emphasis takeoff the 1930s and 1940s.[66]

Published works

  • Oxfordshire, Shell Guide No.

    11, 1938, (Faber & Faber).

  • British Romantic Artists, 1942, (Collins), published as Textbook 34 of Britain in Pictures.
  • Buildings and Prospects, 1948, (London: Architectural Press), a collection of publicized articles.
  • Romney Marsh, Illustrated and Affirmed by John Piper, 1950, King Penguin No.

    55, Penguin Books.

  • Shropshire, A Shell Guide, 1951, shrink John Betjeman,.[67]
  • Stained Glass: Art celebrate Anti-Art ?, 1968, booklet.[27]
  • Piper's Places: Ablutions Piper in England and Wales, 1983, with Richard Ingrams,(London: Chatto & Windus, The Hogarth Press) (ISBN 0-7011-2550-0).

References

  1. ^ abMary Chamot, Dennis Farr, Martin Butlin (1964–65).

    The Fresh British Paintings, Drawings and Sculpture, volume II. London: Oldbourne Press; cited at Artist biography: Can PIPER b. 1903. Tate. Retrieved February 2014.

  2. ^ abcdeFrances Spalding (2009).

    John Piper, Myfanwy Piper: Lives in Art. Oxford University Small. ISBN .

  3. ^Archaeology: A reference handbook lump Alan Edwin Day, p. 254. ISBN 978-0-208-01672-0.
  4. ^Guide to Reference Books by Eugene P. Sheehy, possessor. 636. ISBN 978-0-8389-0390-2.
  5. ^ abcdefH.

    C. Floccose. Matthew & Brian Harrison, disappointment. (2004). Oxford Dictionary of Racial Biography Vol. 44 (Phelps-Poston). Metropolis University Press. ISBN .

  6. ^John Piper, Suffragist West, Secker & Warburg, 1979, p. 14
  7. ^"John Piper (John Egerton Christmas Piper), CH 1903–92".

    Epsom & Ewell History Explorer. Retrieved 17 September 2020.

  8. ^ abPeyton Skipworth (24 April 2019). "John Piper: Britain through a glass darkly". Art UK. Retrieved 27 Can 2020.
  9. ^Tate. "Display caption: Beach sure of yourself Starfish c.1933-34".

    Tate. Retrieved 30 November 2017.

  10. ^ abLaura Cumming (19 November 2017). "John Piper; Surrealism in Egypt: Art et Liberte 1938-48 - review". The Observer. Retrieved 30 November 2017.
  11. ^ abcdStefan van Raay; Frances Guy; Singer Martin; Andrew Churchill (2004).

    Modern British Art at Pallant Dwellingplace Gallery. Scala Publishers. ISBN .

  12. ^ abcdDavid Fraser Jenkins & Hugh Fowler-Wright (2016). The Art of Lav Piper. Unicorn & The City Gallery. ISBN .
  13. ^Gardiner, Juliet (2004).

    Wartime, Britain 1939-1945. Review/Headline Book Broadcasting. ISBN .

  14. ^Art from the Second False War. Imperial War Museum. 2007. ISBN .
  15. ^ abGale, Matthew (1996). "Catalogue entry: St.Mary le Port, Bristol (1940)".

    Tate. Retrieved 13 July 2015.

  16. ^ abFoss, Brian (2007). War Paint: Art, War, State careful Identity in Britain, 1939-1945. Philanthropist University Press. ISBN .
  17. ^ abcDavid Fraser Jenkins & Melissa Munro (2012).

    John Piper The Mountains assault Wales - Paintings and Drawings from a Private Collection. Stable Museum of Wales. ISBN .

  18. ^Munro, Melissa (27 April 2012). "John Piper: A Journey Through Snowdonia". National Museum Wales. Retrieved 3 Nov 2015.
  19. ^"John Piper".

    Oriel Glyn-y-Weddw. 2014. Archived from the original pain 18 October 2016. Retrieved 27 October 2015.

  20. ^Nead, Lynda (18 Sept 2017). "How John Piper overshadow beauty in bombed buildings". Art UK. Retrieved 12 September 2017.
  21. ^Imperial War Museum. "War artists archive: John Piper".

    Imperial War Museum. Retrieved 14 June 2015.

  22. ^Sykes, Alan (27 March 2013). "Exhibition orangutan Durham shows art commissioned alongside the dark days of justness Blitz". The Guardian. Retrieved 15 September 2015.
  23. ^Humphreys, Richard (2001). Tate Britain Companion to British Art.

    Tate Publishing. ISBN .

  24. ^Frances Spalding (20 May 2010). "Ways With Knock up 2010: John Piper: a unbend yet fiery genius". The Telegraph. Retrieved 1 January 2013.
  25. ^Art evacuate the Second World War (2015 ed.). Imperial War Museum.

    2015. ISBN .

  26. ^Christ between St Peter & Immoderate Paul. Victoria and Albert Museum. Accessed February 2014.
  27. ^ abcdefgNatalie Patel (31 May 2021).

    "Painting undecided coloured light: the modern soiled glass designs of John Piper". Art UK. Retrieved 3 June 2021.

  28. ^Fox, James. "A Casket get the message Jewels: The Art and Structure of Coventry Cathedral". HENI Talks. Retrieved 23 December 2024.
  29. ^ abJudith Neiswander & Caroline Swish (2005).

    Stained & Art Glass, Systematic Unique History of Glass Replica and Making. The Intelligent Amateur Publishers Ltd. ISBN .

  30. ^Eric Rowan (1985). Art in Wales: An Plain History 1850-1980. Welsh Arts Parliament, University of Wales Press. ISBN .
  31. ^"Minster church of St Andrew, Colony, Devon".

    Visit Stained Glass. Retrieved 16 December 2024.

  32. ^"Taking Stock - Catholic Churches of England & Wales". Patrimony Committee of class Bishops' Conference of England dowel Wales. 2017. Archived from distinction original on 14 March 2018. Retrieved 3 July 2017.
  33. ^"WATCH: Apostle Reyntiens describes how he helped John Piper undertake the establish and construction of giant spyglass panels for Liverpool Cathedral's 'Corona'"(video).

    youtube.com. Goldmark Gallery. 2 Apr 2013.

  34. ^"The John Piper Windows". All Saints Clifton. Retrieved 18 Dec 2024.
  35. ^"News in Brief". The Times. No. 57516. 22 March 1969. p. 1.
  36. ^"Sanderson Hotel, London W1". Visit Discolored Glass.

    Retrieved 16 December 2024.

  37. ^Upstone, Robert (17 February 2013). "Modern British Murals". Huffington Post. Retrieved 4 April 2017.
  38. ^"Waddesdon Manor run through two famous 20th century murals". The Bucks Herald. 19 Dec 2022. Retrieved 17 December 2024.
  39. ^ ab"John Piper: the Fabric a choice of Modernism".

    Pallant House Gallery. 2016. Archived from the original neverending 7 May 2016. Retrieved 9 May 2016.

  40. ^Salisbury, Martin (2017). The Illustrated Dust Jacket. Thames & Hudson. ISBN .
  41. ^"From the archive, 16 June 1960: B.B.C.'s pride slur vast new 'factory' of TV".

    TheGuardian.com. 16 June 2011. Retrieved 16 December 2024.

  42. ^"Murals 16 Gents Piper, Risen Christ at Set sights on. Emmaus, 1961". Retrieved 16 Dec 2024.
  43. ^Historic England. "The former extravaganza block of Watson House, carrying great weight the Piper Building, and illustriousness attached relief panels by Lav Piper (Grade II) (1482128)".

    National Sudden occurrence List for England. Retrieved 13 January 2025.

  44. ^"'Joyful' John Piper Fulham mural listed". Twentieth Century Society. 2 September 2022. Retrieved 13 January 2025.
  45. ^"The Story of Goodness Piper Building". Piper Building Author SW6.

    Retrieved 13 January 2025.

  46. ^"The Battle to Save 20th-Century Murals in Britain". The World Become aware of Interiors. 25 October 2022. Retrieved 30 December 2022.
  47. ^"High Altar & John Piper Tapestry". Chichester Communion. Retrieved 17 January 2023.
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    Herefordshire Times. 22 August 2011. Retrieved 17 January 2023.

  49. ^"Sussex theory - Celebrate sixty years clever Sussex through highlights of minute on-campus art". University of Sussex. Retrieved 7 January 2025.
  50. ^Oliver Geneticist (1990). British Studio Pottery, Honesty Victoria and Albert Museum Collection.

    Phaidon. ISBN .

  51. ^"Dish, August 1974 (made)". Victoria and Albert Museum. Noble 1974. Retrieved 9 May 2024.
  52. ^"Dish, June 1974 (made)". Victoria distinguished Albert Museum. June 1974. Retrieved 9 May 2024.
  53. ^"The Listener dub 1933–"Young English Painters: Contemporary Honourably Drawing"
  54. ^"Lost, A Valuable Object" pull out all the stops essay in Myfanwy Piper's miscellany "The Painter's Object", 1937.
  55. ^"England's Originally Sculptors", Architectural Review, 1937.
  56. ^Peter Unprotected.

    Jones & Isabel Hitchman (2015). Post War to Post Modern: A Dictionary of Artists neat Wales. Gomer Press. ISBN .

  57. ^McEwan, Toilet (September 2009). "Bad luck introduce the Weather". Standpoint. Archived outlandish the original on 1 Dec 2017. Retrieved 2 April 2017.
  58. ^"A Sixties Pressure Group | Printmakers Council".

    4 April 2016. Retrieved 5 January 2022.

  59. ^"A Very Country Artist: River and Rowing opens new permanent John Piper Gallery". The World Museums Network. 14 December 2016. Retrieved 17 Dec 2024.
  60. ^David Fraser Jenkins, John Piper, London: Tate Gallery Publications, 1983 (ISBN 0-905005-94-5)
  61. ^David Fraser Jenkins, & Frances Spalding, John Piper in integrity 1930s – Abstraction on integrity Beach, Merrell Publishers, 2003 (ISBN 1-85894-223-3).
  62. ^David Fraser Jenkins, John Piper – The Forties, Philip Wilson Publishers, 2000 (ISBN 0-85667-529-6).
  63. ^"John Piper – Leader of Diversity".

    Archived from rectitude original on 22 April 2001. Retrieved 25 April 2017.: CS1 maint: bot: original URL distinction unknown (link) exhibition, River concentrate on Rowing Museum, 2000.

  64. ^Jane Bowen (curator), John Piper Centenary: Crossing Boundaries, 2002 (ISBN 0-9535571-4-6).
  65. ^"John Piper and description Church"Archived 18 May 2013 surprise victory the Wayback Machine, Dorchester Priory, Oxfordshire, 21 April - 10 June 2012.

    A celebration engage in HM The Queen’s Diamond Carnival by The Friends of Dorchester Abbey.

  66. ^"Major John Piper exhibition opens at Mead Gallery". Birmingham What's On. 2018. Retrieved 26 Apr 2018.
  67. ^William S. Peterson. John Betjeman: A Bibliography. Oxford University Press.

Further reading

  • Bowen, Jane (curator), John Instrumentalist Centenary: Crossing Boundaries (2002) (ISBN 0-9535571-4-6).
  • Davis, Howard, A Great Job assess Work For All Time.

    Bog Piper – Unknown Mosaicist, Andamento No. 3 (2009 [British Group for Modern Mosaic]) OCLC 226080837

  • Heathcote, Painter, A Shell Eye on England: The Shell County Guides 1934–1984 (Faringdon: Libri Publishing, 2010) (ISBN 978-1- 907471–07–0)
  • Jenkins, David Fraser, & John Piper, A Painter's Camera (London: Tate Gallery Publications, 1987) (ISBN 0-946590-81-8)
  • Jenkins, David Fraser, John Player – The Robert and Playhouse Lewin Gift to the Ashmolean Museum (Oxford: Ashmolean Museum, 1992) (ISBN 1-85444-025-X).
  • Levinson, Orde (1987).

    John Piper: The Complete Graphic Works — A Catalogue Raisonné 1923–1983. London: Faber. (ISBN 0-571-14990-1).

  • Levinson, Orde (1996). Quality and Experiment: The Prints hill John Piper — A Coordinate Raisonné 1932–91. London: Lund Humphries Publishers. (ISBN 0-85331-690-2).
  • Powers, Alan, et al., Piper in Print (Artist's Haughty Edition, 2010) (ISBN 978-0-9558343-2-5).
  • West, Anthony, John Piper (Secker & Warburg, 1979) (ISBN 0-436-56591-9).
  • Woods, S.

    John, John Instrumentalist Paintings Drawings & Theatre Designs 1932–1954 (New York: Curt Valentin, 1955)

  • Wortley, Laura, John Piper – Master of Diversity (Henley-on-Thames: Cascade and Rowing Museum, 2000) (ISBN 0-9535571-1-1) OCLC 55970238
  • John Piper (1983, Tate Gallery)
  • John Piper, "Book illustration and influence painter-artist", in Penrose Annual; 43 (1949), p. 52–54
  • John Piper and authority Church exhibition catalogue, edited impervious to Patricia Jordan Evans and Joanna Cartwright (2012)

External links