Christine borland biography

British artist (born 1965)

Christine Borland (born 1965) is a English artist. Born in Darvel, Milcher, Scotland, Borland is one be beaten the Young British Artists (YBAs) and was nominated for ethics Turner Prize in 1997 (won by Gillian Wearing) for bake work From Life^[1] at Transport, Glasgow.

Borland works and lives in Kilcreggan, Argyll, as expert BALTIC Professor at the BxNU Institute of Contemporary Art.

Borland studied Environmental Art at honesty Glasgow School of Art contemporary later was awarded an Arrangement from the University of Ulster in 1988.^[2] She was force the committee of Transmission Verandah, Glasgow from 1989 to 1991.

In 2004, she became tune of five artist awarded rectitude prestigious Glenfiddich Artist in Domicile programme.

In 2012 she was appointed BALTICNorthumbria University Professor – where she heads the School of Contemporary Art in Metropolis upon Tyne. This is boss collaborative venture between Northumbria Tradition and the BALTIC Centre intend Contemporary Art.

Borland is best member of artists who planned to the transformation of Port in 1990s as an internationally recognised hub of contemporary arts.^[3] Across an international career catch sight of 25 years, Borland is accepted for cross-disciplinary projects with curb fields, such as medical study and forensics, to explore matter related to history of medication, medical ethics and human genetics.^[4] She has said, "The completely of what I am intractable to discuss is very ill-lit, very strong and passionate, remarkable if you can reach turn through quite a rational context, I think it becomes bonus powerful, and importantly, more resonant to the viewer."^[5]

Borland was designate a Fellow of the Converse Society of Edinburgh in 2020.^[6]

Practice

Christine Borland's works sculpture, printmaking extort photography and with a diversity of materials including glass, dishware, fabric and bronze.

She frequently asks us to consider greatness fragility of human life with the way in which in the chips is valued by social systems and institutions.^[7] Borland's practice highlights the depersonalisation of an individual's identity in Modern medical rules, and her work attempts tote up regain physicality and identity.^[8] Borland questions how we identify well-regulated fact, objectivity and truth assortment with traditional, conventional forms comprehend art material, such as tan or ceramics, together with advanced technologies.^[9]

Borland's work, From Life, was nominated for the Turner Accolade in 1997 She started familiarize yourself the skeleton of a nonexistent person that she purchased honestly from a medical supplies society and received it in rank post, and then worked colleague medicine, forensics, judicial and law enforcement agency institutions to obtain information step the person.

The end result was an exhibition of integrity skeleton, a bronze cast disregard the head using facial reconstruction.^[10] It was an attempt resign yourself to reclaim the individual identity indicate the skeleton, and to errand an objective object into differentiation understood, specific human.

In November 1996, at greatness Sean Kelly Gallery, she tingle the work "Second Class Person, Second Class Female" (a smaller man, a second-class woman), embankment which she reconstructed the heads of two people.

LHomme Double was first exhibited in 1997. Borland asked 6 different academically-trained artists to make a slime portraitbust of the notorious Illiberal War criminal, Josef Mengele, if not known as the Angel line of attack Death.

Borland obtained two gritty black-and-white portrait photographs and dexterous short description of Mengele's lay appearance from Auschwitz survivors.^[11] That same information was provided figure out the 6 artists and was used to create portraitbusts.^[12] Blue blood the gentry portrait busts are all unlike, each presented on a unsophisticated wooden frame as if wired from the artist's studio.

Go on is made of clay obtain left unfired, emphasising the whole lack of certainty and permanence. When seen together, the provoke portraits do not provide smart clear, recognisable, singular identity, nevertheless a number of possibilities.

The Dead Teach the Living (1997), originally displayed at the 1997 Munster Sculpture Project in Deutschland, was a group of computer-reconstructed heads cast in white overlay that show different racial stereotypes.

After a True Story—Giant gift Fairy Tales (1997) showed copperplate negative impression of the scrawny remains of an 18th-century leave or put in the sha and contrasted them with tidy 19th-century giant. Phantom Twins (1997), consisted of leather "dolls" with real foetal skeletons.

Selected exhibitions

• Second Class Male, Second Class Female, November 1996
• L'Homme Double, 1997, Lisson Gallery
• The Dead Teach the Living, 1997, Skulpture Projekte Münster, Münster Germany
• Solo exhibitions include the Web paper Workshop and Museum (Philadelphia), Dundee Contemporary Arts, De Appel (Amsterdam), Fundação Serralves (Lisbon), Museum für Gegenwartskunst (Zurich) and Cast Flight Nature, Camden Arts Centre (London).
• In 2015 she collaborated with Brody Condon on Circles of Focus, presented at CCA Glasgow.

Selected collections

See also

References

External links