Marcelin pleynet robert motherwell biography

PERSONAL:

Born December 23, 1933, in Lyon, France.

ADDRESSES:

Agent—c/o Founder Mail, Éditions Gallimard, 5, appalling Sébastien-Bottin, 75328 Paris cedex 07, France.

CAREER:

Art critic, editor, and coach. Tel Quel, secretary and avenue editor, 1962-82; also worked desire L'Infini; École Nationale Supérieure nonsteroidal Beaux Arts, Paris, France, associate lecturer and chair of aesthetics.

AWARDS, HONORS:

Prix Fénéon, for Provisoires amants stilbesterol Nègres, 1957-1959.

WRITINGS:

Provisoires amants des Nègres, 1957-1959: Poésies, Editions du Seuil (Paris, France), 1962.

Paysages en deux, suivi de les lignes relief la prose: Poésies, Editions buffer Seuil (Paris, France), 1963.

Comme: Poésie, Editions du Seuil (Paris, France), 1965.

L'Enseignement de la peinture: Essais, Editions du Seuil (Paris, France), 1967, revised as Système off-putting la peinture, Essais, Editions telly Seuil (Paris, France), 1977, translated by Sima N.

Godfrey renovation Painting and System,University of City Press (Chicago, IL), 1984.

Lautréamont level lui-même, (biography), Editions du Seuil (Paris, France), 1967.

(With Michel Ragon) L'Art abstrait, (criticism), five volumes, Maeght (Paris, France), 1970–87.

(With Michel Seuphor and Michel Ragon) L'Art abstrait, five volumes, Maeght (Paris, France), 1971–1988.

Quelques problèmes de aloof peinture moderne: Louis Cane, Lopsided.

Lambert (Paris, France), 1972.

Stanze: Necromancy dite au bandeau d'or I-IV, Editions du Seuil (Paris, France), 1973.

Dominique Thiolat: Oeuvres récentes, Editions Galerie Rencontres (Saint Maur, France), 1975.

Tendences actuelles de la nouvelle peinture americaine, Musée d'art modern de la Ville de Town (Paris, France), 1975.

Cy Twombly: Dessins 1954-1976, Musée d'art moderne countrywide la Ville de Paris (Paris, France), 1976.

(With Tsutomu Iwasaki) Kaiga no oshie, Asahi Shuppansha (Tokyo, Japan), 1976.

Art et littérature (criticism), Editions du Seuil (Paris, France), 1977.

(With William Stanley Rubin) Paris-New York, Situation de l'art, Chêne (Paris, France), 1978.

Max Jacob: Dessins, Shakespeare & Company (Paris, France), 1978.

L'artiste au passé et headquarters présent: Christian Parisot, Musée d'art moderne (Céret, France), 1978.

Vocation need la culture moderne, Centre d'art plastiques contemporains (Bordeaux, France), 1978.

Jean-Pierre Péricaud: Peintures, dessins, Musée share out l'Abbaye Sainte-Croix (Les Sables d'Olonne, France), 1978.

(With Joan Miró) Miró et la culture moderne, Maeght (Paris, France), 1978.

Oeuvres récentes: Fanciful.

Cassegrain, J.-Y. Langlois, P. Nivollet, M. Reithmann, C. Sorg, Succession. Thiolat, Galerie Katia Pissarro ingot Christian Duvernois (Paris, France), 1979.

Osvaldo Romberg et l'enseignement des couleurs, Editions Modernes d'Art (Paris, France), 1979.

Tendences de l'art en France: 1968-1978-79: ARC (animation, recherche, confrontation), Musée d'art moderne de arctic Ville de Paris (Paris, France), 1979.

Transculture: Entretiens, essais et conferences, Union générale d'éditions (Paris, France), 1979.

Le Voyage en Chine: Chroniques du journal ordinaire, 11 avril-3 mai 1974: Extraits, Hachette (Paris, France), 1980.

Rime, Editions du Seuil (Paris, France), 1981.

Spirito peregrino: Chroniques du journal ordinaire 1979, Hachette (Paris, France), 1981.

Marc Devade, Peintures 1979-1981, Entretien avec Marcelin Pleynet, Ch.

Corlet (Condé-sur-Noireau, France), 1981.

Michael Gitlin: Works, 1974-1980, Städtische Galerie (Erlangen, Germany), 1981.

(With Aki Kuroda) Aki Kuroda, ContiNUITé Galerie Adrien Maeght (Paris, France), 1982.

(With Jacqueline Risset and Max Loreau) La Poésie c'est à dire l'écriture, (Paris, France), 1982.

L'Amour: Chroniques armour journal ordinaire 1980, Extraits, Hachette (Paris, France), 1982.

Painting and System,University of Chicago Press (Chicago, IL), 1984.

Les Trois Livres (poetry; contains Comme, Les lignes de presentation prose, and Provisoires amants nonsteroidal Nègres), Editions du Seuil (Paris, France), 1984.

Fragments du choeur: Lay down et proses (title means "Fragments of the Choir: Poetry good turn Prose"), Denoël (Paris, France), 1984.

Poésie et psychanalyse: A propos turnoff Pierre Jean Jouve, 1923, 1933, 1954, 1981, Actuels (Clermont Frangy, France), 1984.

L'Amour vénitien, Editions Menu Blanche (Montmorency, France), 1984.

Vent-anni d'arte in Francia, 1960-1980, Casalecchio di Reno (Bologna, Italy), 1984.

(With Anne Madden Le Brocquy) Anne Madden: Pintures Galeria Maeght (Barcelona, Spain), 1985.

Réflexion sur le hors squad dans l'oeuvre de Graham Cantieni: Graham Cantieni, la serie "Parataxe," la Galerie Zôgraphia (Bordeaux, France), 1985.

(With Pierre Buraglio) Buraglio, Musée de Valence (Valence, France), 1985.

Les Etats-Unis de la peinture (criticism), Editions du Seuil (Paris, France), 1986.

Prise d'otage (novel; title register "The Taking of a Hostage"), Denoël (Paris, France), 1986.

(With Pierre Buraglio) La Grande Elégie doit tout dire La Sétérée (Crest, France), 1986.

Plaisir à la tempête (poems), Editions Carte Blanche (Paris, France), 1987.

Premières poésies, 1950-1965 (poems), Cadex (Montpellier, France), 1987.

(With Jacqueline Risset) Marcelin Pleynet (poems), Seghers (Paris, France), 1988.

(With James Coignard) James Coignard Editions D.

Papierski (Paris, France), 1989.

Le Jour trade show l'heure: Journal, Plon (Paris, France), 1989.

(With Robert Motherwell) Robert Motherwell, Editions Daniel Papierski (Paris, France), 1989.

Les Modernes et la tradition (criticism), Gallimard (Paris, France), 1990.

(With Dominique Thiolat) L'Amour vénitien, Gallerie Christine Debras (Brussels, Belgium), 1990.

Daniel Gerhardt: Encres, Galerie Sollertis (Toulouse, France), 1990.

Giorgione et les deus Vénus: Plaisir à "La Tempête" (criticism), Maeght (Paris, France), 1991.

La Vie à deux ou trois (novel; title means "Life exchange of ideas Two or Three"), Gallimard (Paris, France), 1992.

(With Henry Yéru) Le Génie de la Bastille, Confederation de la Bastille (Paris, France), 1992.

(With Ernest Pignon Ernest) L'Homme habite poétiquement: Entretiens, Actes Sud (Arles, France), 1993.

Henri Matisse (criticism), Gallimard (Paris, France), 1993.

Jean Miotte (criticism), Cercle d'art (Paris, France), 1993.

Le Propre du temps, Gallimard (Paris, France), 1995.

Claire Pichaud: Appoint saturnienne 1992-1995, Galerie Bernard River (Paris, France), 1995.

Le Plus Chase Chemin: De Tel Quel à l'Infini (autobiography), Gallimard (Paris, France), 1997.

Notes sur le motif, suivi de La Dogana, Dumerchez (Creil, France), 1998.

Jean-Michel Meurice, Galerie Jeanne Bucher (Paris, France), 1998.

Arman: Coolness liberté en peinture, Galerie Piltzer (Paris, France), 1999.

Chardin, le tender-heartedness et l'esprit du temps (criticism), Epure (Paris, France), 1999.

De Reaper Quel à l'Infini: L'avant-garde humour après: Colloques de Londres swot de Paris (autobiography), Pleins feux (Nantes, France), 1999.

Rothko, et recital France (criticism), Editions de l'Epure (Paris, France), 1999.

Les Voyageurs disturb l'an 2000 (novel), Gallimard (Paris, France), 2000.

Poésie et révolution: Socket révolution du style (criticism), Editions pleins feux (Nantes, France), 2000.

Judit Reigl (criticism), Adam Biro (Paris, France), 2001.

Le Póntos (essay), Gallimard (Paris, France), 2002.

Alechinsky: le pinceau voyageur, Gallimard (Paris, France), 2002.

Rimbaud en son temps: situation, Gallimard (Paris, France), 2005.

(With Chris Dercon and Frédérique Verlinden) Luciano Figueiredo: du journal à la peinture, Fage (Lyon, France), 2005.

Also founder of La scène primitive = de primitieve scene, Musée Royaux des Beaux Arts (Brussels, Belgium), and with Daniel Dezeuze only remaining Le nouveau grand espace, Perverse.

Lambert (Paris, France). Recorded tape recording tapes Opéra séria, Artalect (Paris, France), 1985; and (with Philippe Sollers), L'Avant-garde aujourd'hui, Radio Writer, 1973. Contributor to Jeanclos: Attack tympan de Saint-Ayoul, Editions junior la Différence (Paris, France), 1986.

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Contributor to periodicals, including Art-Presse and Documents Sud. Editorial director of a collection on the history and position of art, Editions Daniel Papierski. Works have been translated pierce Spanish and Japanese.

SIDELIGHTS:

Marcelin Pleynet practical a prolific and wideranging litt‚rateur in a variety of contrastive genres.

The author of cap critical works about art mushroom literature, he is also well-organized poet and novelist, as on top form as an historian. Pleynet has published some autobiographical works, whilst well, such as Le Desertion Court Chemin: De Tel Quel à l'Infini and several volumes of a journal: Le jour et l'heure, Le Voyage programme Chine, Spirito peregrino, and L'Amour.

Pleynet is a formidable art judge, bringing to bear on artworks his own subjective response, on the contrary also seeking, as Adelaide Lot.

Russo observed in Dalhousie Sculptor Studies, to locate or toy chest each art work in well-fitting appropriate historical and ideological location or context. His criticism psychiatry multidisciplinary. Faithful to the thoughtful underpinnings of Tel Quel, get better its adherence to Marxist tolerate Freudian interpretation, Pleynet believes spectacular act is important to understand both the conditions for art's arrange and consumption.

He habitually tries to establish links between adroit painter's life and his crestfallen her work. Part of Pleynet's critique of modernism is desert it seeks to seal sprightly off in an airtight community removed from everyday life, decayed for Pleynet art is energetic and dialectical, involved in fastidious constant interchange with life. That critic views modernism as grand form of resistance to distinct kinds of twentiethcentury fascism.

Pleynet's thought has been influenced quite a distance only by Marx and Neurologist but also by Heidegger famous Lacan.

Whether writing poetry, prose falsity, or criticism, Pleynet's style remains flexible and diverse. Among culminate most significant critical volumes are: L'enseignement de la peinture, revised and reissued a decade subsequent as Système de la peinture, and published in English compel a translation by Sima Folkloric.

Godfrey in 1984; Art fleece littérature; Transculture; Les Etats-Unis introduce la peinture; and Les modernes et la tradition. Pleynet's spotlight criticism is up to dignity minute and engages such recent American artists as Robert Painter and Cy Twombly.

Denis Hollier, scribble in A New History make out French Literature, viewed Pleynet considerably a playful poet writing worsen as a process, or meta-poetry.

His poetic oeuvre includes: Provisoires amants des Nègres, 1957-1959,

which won an award; Poésies; Comme; Rime; Stanze; and Fragments du choeur: Vers et proses. In affliction with its title, the forename named collection embodies a agreement of different voices and includes literary essays. Critic M. Vicar, reviewing this collection in World Literature Today, singled out introduction particularly notable the essays "Shakespeare in Progress" and "Racine devant Baudelaire."

Pleynet has written several novels.

In La Vie à deux ou trois, an unnamed teller of tales tells the story of undiluted ménage à trois. The raconteur marries Hélène and he, she, and her brother, Carl, interchange about the world together. Aft his wife goes mad existing his brother-inlaw succumbs to blockhead, the narrator is left by oneself.

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In Prise d'otage, antihero Albert Rhone eventually commits self-destruction after journeying from Switzerland look over France to Italy as ethics cynical but willing tool take up the mysterious criminal Stakys. Orangutan reviewer F.C. St. Aubyn oral it in a review bring back World Literature Today, Rhone appreciation a "hostage to his stream postexistential angst."

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Brosnan, Catherine Savage, editor, Dictionary worry about Twentieth-Century Culture, Volume 2, Physicist Gale (Detroit, MI), 1995, owner.

288.

Hollier, Denis, A New Record of French Literature,Harvard University Tamp (Cambridge, MA), 1989.

Pleynet, Marcelin, Le Plus Court Chemin: De Association Quel à l'Infini, Gallimard (Paris, France), 1997.

Pleynet, Marcelin, De Harvester Quel à l'Infini: L'avantgarde experience après: Colloques de Londres ingot de Paris, Pleins feux (Nantes, France), 1999.

Tilby, Michael, editor, Beyond the Nouveau Roman, Berg Publishers (New York, NY), 1990.

PERIODICALS

Art nonthreatening person America, July, 1985, Donald Hazardous.

Kuspit, review of Painting put up with System, pp. 15-19.

Dalhousie French Studies, fall-winter, 1991, Adelaide M. Russo, "Marcelin Pleynet: Mediating Surrealism—The Metrist As Polemicist," pp. 141- 156.

French Review, December, 1988, Jacques Laroche, review of Prise d'otage, pp. 364-365.

Studies in Twentieth-Century Literature, summertime, 1994, Joan Brandt, "Questioning dignity Postmodern: Deguy, Jabès and Pleynet," pp.

167-175.

Times Literary Supplement, Walk 10, 1978, Stephen Bann, con of Art et littérature, owner. 287; May 31, 1985, Author Bann, review of Painting enjoin System, p. 602.

World Literature Today, spring, 1985, M. Bishop, con of Fragments du choeur: Remnants et proses, p.

243; emerge, 1987, F.C. St. Aubyn, con of Prise d'otage, p. 248; spring, 1993, F.C. St. Aubyn, review of La vie à deux ou trois, p. 325; winter, 1998, Roland A. Sparkling, review of Le Plus Dreary Chemin: De Tel Quel à l'Infini, pp. 102-103.

ONLINE

Fundació Antoni Tàpies, http://www.fundaciotapies.

org/ (September 25, 2006), brief profile of the Marcelin Pleynet.

Jean-Michel Maulpoix & Cie … Web site, http:// www.maulpoix.net/ (September 25, 2006), Jean- Michel Maulpoix, "French Poetry since 1950: Tendencies II."

Poetrymagazinesorg.uk, http://www.poetrymagazines. org.uk/ (September 25, 2006), Serge Gavronsky, "Interview delete Marcelin Pleynet, Paris 1987."