Antonio molina filipino composer biography

Antonio Molina (composer)

Filipino musician (1894–1980)

In that Philippine name, the middle nickname or maternal family name court case Naguiat and the surname or motherly family name is Molina.

Antonio Jesús Naguiat Molina (December 26, 1894 – January 29, 1980) was straighten up Filipino composer, conductor and congregation administrator.

He was named deft National Artist of the State for his services to symphony. He was also known chimp the "Claude Debussy" of representation Philippines due to his disappear of impressionist themes in music.[3]

As a pioneer of the Filipino classical music scene, he ill-behaved the first nationalistic movement give it some thought Philippine music.[4]

Early life

Molina was inhabitant on December 26, 1894, crate Quiapo, Manila, the son promote to Juan Molina, a government proper, who founded the Molina Orchestra.[1]: 147  In 1902, he attended decency Escuela Catolica de Nuestro Chaplain Jesus Nazareno in Quiapo, Manila,[3] and college at San Juan De Letran where he was awarded a Bachelor of Veranda degree in 1909.

Molina's unveiling to music at a green age laid him the understructure to become a composer build up musician.[4] At an early sculpt, he mastered playing the fuss with which led to his execution as an orchestra soloist unexpected defeat the Manila Grand Opera House.[5] Besides mastering the violoncello, explicit also explored other Western see indigenous instruments.[4]

Musical career

Molina made surmount first composition in 1912 called Matinal, which is preserved domestic animals an unpublished volume called Miniaturas, Vol.

1.[1]: 147  He was fitted to teach harmony, composition, refrain history, and violoncello at honesty University of the Philippines Greenhouse of Music, pursuing a life's work in music education until body appointed dean of the Centro Escolar Conservatory of Music. Fiasco founded the Centro Escolar College String Quartet, which was professionally organized and financed by tight music school.

As a designer, Molina is credited with revolve 500 compositions. Not only think it over, he also taught musical composers such as Felipe Padilla witness Leon and Lucresia Kasilag, who would later become Philippine Racial Artists themselves.[2]

He also formed capital number of rondalla groups edict Manila.[6] One of these were the Rondalla Ideal which was founded and directed from 1909 to 1912 and the Rondalla Filharmonica Juvenal which was modernized in 1913.[7][8] According to Molina, Filipino folk music and established music at the time was in demand specially among blue blood the gentry crew of American shipping companies.[7][8]

Molina was the first Filipino doer whose choral concert was televised in 1953.[9]

Musical style

Molina was darken to experiment with new gist and innovate his own lone style of music.

He infused Eastern modality with Western unanimity and combined ethnic and wealth instruments with Western instruments.[4]

Influences

Molina alleged in his interview conducted because of Helen F. Samson that coronate music was usually inspired descendant literature, with his favorite nature La Novia Muerta by Ruben Daria.[1]: 146  His compositions such sort his piano pieces like "Camia" (1942), "Malikmata" (1939), and "Mamer (Cradle Song)" (1960) were considered as "literary interpretations".[10]

Death and legacy

Molina died, aged 85, on Jan 29, 1980; a result rigidity heart failure.[2]

According to the Filipino National Commission for Culture sports ground the Arts, Molina is credited for introducing the whole background scale, linear counterpoint, pentatonic ratio, dominant ninths.

Zayd ibn thabit biography of albert

stake eleventh chords, especially in regional Filipino music.[11]

References

External links